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Title: Morris PhD Thesis 1984
Subject: physical anthropology archaeological skeletons Northern Cape History
Description: Comments from Phillip Tobias on draft of Chapter 3 (Materials and Methods)
Identifier: islandora:32622

Title: Morris PhD Thesis 1984
Subject: physical anthropology archaeological skeletons Northern Cape History
Description: 1984 Examiners' reports: WW Howells, JL Angel, PV Tobias
Identifier: islandora:32623

Title: Oral history interview with Morris Gawronsky, a drummer
Subject: Oral history, Gawronsky, Maurice, Jazz musicians--South Africa--Western Cape-- Interviews, Drummer--South Africa--Western Cape--Interviews,
Description: This is one interview in a collection of interviews composed of the life histories of twenty Cape Town jazz musicians. Some of the themes explored are the effects of apartheid in the music scene in the 1950's and 1960's; priorities of recording labels; music reception across social groupings in District Six and the extensive influence of American jazz. Music genres referred to span big band, the avant garde, bebop, dance, jive, marabi, township jazz, goema and Latin., Amu1.06.mp3: Part 1 of 1 ; 34:52 min ; interview 6 of 23
Identifier: islandora:12862

Title: Morris PhD Thesis 1984
Subject: physical anthropology, archaeological skeletons, Northern Cape History
Description: Comments from Phillip Tobias on draft of Chapter 3 (Materials and Methods)
Identifier: islandora:33262

Title: Morris PhD Thesis 1984
Subject: physical anthropology, archaeological skeletons, Northern Cape History
Description: 1984 Examiners' reports: WW Howells, JL Angel, PV Tobias
Identifier: islandora:33263

Title: Oral history interview with Morris Gawronsky, a drummer [Transcript]
Subject: Oral history, Gawronsky, Maurice, Jazz musicians--South Africa--Western Cape-- Interviews, Drummer--South Africa--Western Cape--Interviews,
Description: This is one interview in a collection of interviews composed of the life histories of twenty Cape Town jazz musicians. Some of the themes explored are the effects of apartheid in the music scene in the 1950's and 1960's; priorities of recording labels; music reception across social groupings in District Six and the extensive influence of American jazz. Music genres referred to span big band, the avant garde, bebop, dance, jive, marabi, township jazz, goema and Latin.
Identifier: islandora:12863

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